Forgiven — Ben Harper

BenHarperSONG OF THE DAY

For­given” by Ben Harper (Burn To Shine, Vir­gin Records, 1999). Writ­ten by Ben Harper.

INTERESTING FACTS (a la wikipedia)

- This 1999 album fea­tured many of Harper’s strong suits: blues, rock, soul, and folk, as well as included sev­eral col­lege radio fan favorites with songs like Steal My Kisses and Suzie Blue.

- Writ­ten entirely by Harper, Burn To Shine is the work of extremes its title might imply: A record where a jar­ring paean to alien­ation (“Less”) is sand­wiched between ten­der and emo­tive med­i­ta­tions on love and spir­i­tu­al­ity (“The Woman In You,” “Two Hands Of A Prayer”). The open­ing “Alone” and clos­ing one-two of ‘Beloved One” and “In The Lord’s Arms” are pure soul laid bare: arguably the most vul­ner­a­ble moments Harper has com­mit­ted to record. As an artist flu­ent in vir­tu­ally every musi­cal tongue, in a world where most strug­gle to mas­ter one, he has made diver­sity his stock in trade. The half a year spent on Burn To Shine is the longest period of time Harper and the return­ing team of pro­ducer J.P. Plu­nier and engineer/mixer Eric Sarafin have spent work­ing on one of his records. Ben Harper is aware of both the obsta­cles and advan­tages of these pas­sion­ate explo­rations. While the sheer scope of records that shift from purist folk to Delta blues to hard rock may con­found radio pro­gram­mers, they also afford an artist untold opportunities.

- By the time Burn To Shine was released, Ben Harper had already guested on records by Beth Orton, John Lee Hooker, War­ren Haynes and Gov­ern­ment Mule, played two Tibetan Free­dom Con­certs along­side the likes of Beastie Boys and Radio­head, opened for Metal­lica, Pearl Jam, The Fugees, The Roots, Mar­i­lyn Man­son, played the Mon­treux Jazz Fes­ti­val with REM, as well as head­lin­ing major venues in France, Italy, Aus­tralia and New Zealand (all coun­tries where Harper’s pre­vi­ous three LPs have achieved gold and/or plat­inum sta­tus, bring­ing his world­wide cat­a­logue sales close to the two mil­lion mark).

- Harper was born in Clare­mont, in California’s Inland Empire. His father, Leonard, was of African-American and Chero­kee ances­try, and his mother, Ellen Chase-Verdries, is Jew­ish. His mater­nal great-grandmother immi­grated from Lithua­nia.

- Harper began play­ing gui­tar as a child. His mater­nal grand­par­ents’ music store The Folk Music Cen­ter and Museum laid a foun­da­tion of folk and blues for the artist, com­ple­mented by reg­u­lar patrons Leonard Cohen, Taj Mahal and David Lind­ley and quotes of William Shake­speare and Robert Frost made often by his grand­fa­ther. Dur­ing the ‘80s, in his teen years, Harper began to play the slide gui­tar, mim­ic­k­ing the style of Robert John­son. Next, Harper refined his style, tak­ing up the Weis­senborn.

VIDEO OF THE DAY

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